Gm7: guitar chord voicings, inversions, scales and arpeggios
Gm7 (Minor 7) is an interactive GuitarArcanum page with chord formula, intervals, voicings, inversions, triads, pentatonic patterns, scales and arpeggios on the fretboard.
Chord formula
Interval formula: 1 b3 5 b7. A minor seventh chord contains root, minor third, perfect fifth, and minor seventh. It is one of the most common chords in modern harmony, combining minor color with soft functional flexibility.
Chord tones
The root sets the base. The minor third defines the chord as minor. The fifth stabilizes the frame. The minor seventh softens hard finality and makes the chord suitable both as tonic and as predominant.
Sound character
Soft, deep, mobile, jazzy, and not absolutely settled. Depending on context it can be a center or a transitional function.
Harmonic function
On i or vi it may function as tonic. On ii and iv it often acts as predominant. In modal harmony m7 can stand as a static center, especially in dorian and aeolian environments.
Typical progressions
- ii–V–I: Dm7–G7–Cmaj7
- i7–iv7–v7: Cm7–Fm7–Gm7
- vi7–ii7–V7–Imaj7: Am7–Dm7–G7–Cmaj7
Guitar voicing advice
On guitar the essential tones are b3 and b7 because they define both quality and function. The fifth is often optional. Learn root-position and rootless mid-string voicings to keep the lower register clear in comping situations.