Db9#5: guitar chord voicings, inversions, scales and arpeggios
Db9#5 (9#5) is an interactive GuitarArcanum page with chord formula, intervals, voicings, inversions, triads, pentatonic patterns, scales and arpeggios on the fretboard.
Chord formula
Interval formula: 1 3 #5 b7 9. A dominant with a sharp 5th and a 9th — a lifted, whole-tone dominant with a distinctive tension up top.
Chord tones
The #5 is a color tone, not a passing note. With the 9th it gives a whole-tone color, while the 3rd–b7 tritone keeps the dominant pull.
Sound character
Lifted, tense and whole-tone — a cousin of the altered dominant, but brighter because the 9th is natural.
Harmonic function
An altered dominant. The #5 strengthens the upward motion, usually toward a major or minor target.
Typical progressions
- Ab9#5 → C
- whole-tone run over 9#5
- Eb9#5 – Ab
Guitar voicing advice
Root on the 5th string, using a #5 instead of the 5th. Stack 3 – b7 – 9 on top. The shape is symmetric and slides easily in whole steps.
Compatible scales for Db9#5
Other chord qualities on the Db root
Compare this chord with other qualities sharing the same root.
- Db (Major)
- Dbm (Minor)
- Dbdim (Diminished)
- Dbaug (Augmented)
- Dbsus4 (Sus4)
- Db6 (Maj6)
- Dbmaj7 (Major 7)
- Dbmaj7b5 (Maj7b5)
- Dbmaj7sus4 (Maj7sus4)
- Dbmaj7#11 (Maj7#11)
- Dbm6 (Min6)
- Dbm7 (Minor 7)
- Dbmmaj7 (MinMaj7)
- Db7 (Dominant 7)
- Db7b5 (Dom7b5)
- Db7sus4 (Dom7sus4)
- Db7#11 (Dom7#11)
- Dbm7b5 (m7b5)
- Dbdim7 (Dim7)
- Dbdimmaj7 (DimMaj7)
- Dbdimmaj7b13 (DimMaj7b13)
- Dbaugmaj7 (AugMaj7)
- Dbaug7 (Aug7)
- Db9 (9)
- Dbmaj9 (maj9)
- Dbm9 (m9)
- Dbadd9 (add9)
- Db7b9 (7b9)
- Db7#9 (7#9)
- Db6/9 (6/9)
- Dbm6/9 (m6/9)
- Dbmmaj9 (m(maj9))
- Db9sus4 (9sus4)
- Db9b5 (9b5)
- Dbmadd9 (madd9)
- Db7b9#9 (7b9#9)
- Dbsus2 (sus2)
- Db11 (11)
- Dbmaj11 (maj11)
- Dbm11 (m11)
- Db13 (13)
- Dbmaj13 (maj13)
- Dbm13 (m13)
- Db7b13 (7b13)
- Db13#11 (13#11)
- Db7alt (7alt)